It's been a rough few years for fans of James Holden. Since releasing his debut album, The Idiots Are Winning, in 2006, the UK producer's output has totalled a DJ Kicks mix and the music he produced for Kate Wax's 2011 album Dust Collision. Holden has also busied himself with running his label, Border Community, and DJing. But the news of Holden's forthcoming second album, The Inheritors, was welcomed as his return. This dearth of music had not dented Holden's reputation as one of electronic music's most gifted producers. He boldly explored melody and glitch across his mid-'00s output, writing classics like "A Break in The Clouds" and his remix of Nathan Fake's "The Sky Was Pink," while in turn Border Community fostered a family of artists that shared a similar sensibility but each brought something different to the table.
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